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Tuesday, July 19, 2016

Stephen Wack Smells of The Leaking Battery Shoebox, Alligator Skin Retainers, Wet Puzzle Pieces, Lana Del Ray, Valentine's Day, and Redemption Through Flawed Design

BRAIN RETAINER
   
Home. This is the place that Mom and Greg call home.

Squeezed between the identical one hundred and seventy something stucco clones inhabiting this suburb, each family identifies their home by the same intrinsic knack possessed by new mothers who can enter a hospital’s nursery and pick out their offspring from a cribbed line-up of slippery, standardized, paper white, blank-eyed babies solely by the sound of their cry or the smell of their shit. I identify ours by starting at the third STOP sign and counting down twenty-six houses on the right, and when we pull into the driveway suddenly I remember why I’m here:

Home is where I go when my brain goes bad. Sour. Acidic.

I dared Mom. I dared her to open up my head, to take a tentative whiff and see if I don’t smell exactly like that shoebox of old, leaking batteries left forgotten on top of the fridge in our garage.

And she did. So here I am.
I want to say I’m used to it. I want to carry on this flawed analogy and say that my bad brain reeks of black pepper and vinegar the same way my balls do after a therapeutic, eight-mile run. A smell I’ve grown okay with, more or less habituated to over time, because it’s mine:

“It’s my bitter odor. It’s my sour milkfarts.”

And so the true bitterness of it all doesn’t really become apparent until someone else comes in contact with your headspace, cups their mouth and grows teary-eyed, tells you in the politest way possible:

“You need fucking help.”

Mom has been breathing in my foul attitude for the whole car-ride home. When we get to the house, she advises me to take a hot shower to clear my head. I use their guest bathroom because to use any other bathroom doesn’t feel right. Beneath the bathroom sink I find enough complimentary hotel soaps, lotions, shampoos and conditioners stashed away to trade out in exchange for another one-night’s stay at a Holiday Inn., one with an indoor pool and an exercise room and a continental breakfast buffet of powdered eggs and sausage disks reminiscent of what I was once served in a Cobb County holding cell amongst thirty other men, young and drunk and still of a brain fresh enough to consider myself someone above jail food because I am a levelheaded, college-educated, white kid from the suburbs, judging this older black dude who’s just shamelessly pissed all over the toilet seat in the same cramped room that everyone else is eating, this dude who points to the plastic cafeteria tray at my feet and asks if I’m through with that, my smartass wanting nothing more than to ask if he’s going to wash his hands first, but instead I just smile a toothy, white-guilt smile and can’t resist the subconscious, self-righteous pat on the back as I slide my tray of mandarin oranges and synthetic eggs across the concrete floor over to him, questioning whether this here might constitute as some yearly tax write-off under an act of charity. . .

Likewise beneath the sink, stuffed in the back corner, I find my old retainer. Black, plastic, jagged as alligator skin. And, for whatever reason, I decide to press it back up into my mouth, force it in just to see how fucked up over these last few years my once-perfect teeth have become.

And it’s bad. Really, really bad.
When I unhinge its grip, the roof of my mouth is so bruised I can taste its bloody skin caving in like a waterlogged tent, wondering if the roof might then spring a leak big enough to drip pink, bitter drops of brain down onto my tongue, wondering what sort of person I might be now if, back when I was still young, I’d been given a retainer fitted for my brain, something to preserve that innocent, pre-adolescent headspace I possessed back when I still thought the world was big and the mall was cool and the sound of ice-cream trucks didn’t give me the fucking creeps, back before I learned that every food is a poison and every store is a sweatshop and every person is simultaneously hurting and suburban grownups don’t really watch reality TV and drink bottled beer because they like the taste, they do this to self-medicate, to systemically detach themselves from the dreads of day-to-day living, or else Mom and Greg would still eat and talk at the dinner table, and the fridge in the garage would instead be stocked with malted milkshakes and pouches of Capri Sun. . .

The showerhead starts to scream after I’ve been in here for too long, which I have no excuse for. Ever since my last psychotic break when I awoke at two A.M. and shaved my body down, head-to-toe, there’s really no more hair left to lather, rinse, repeat. But I’ve been in here for about twenty minutes now, and while an alternative me—one insightful enough to have worn his brain retainer since before hitting puberty knocked loose all former sanity—might still be lingering in the shower amongst the most vile and vivid of all childish imaginations, seated on the shower floor, crisscross applesauce, yanking out sticky globules of forsaken progeny that refuse to float nor circle the drain, there is now the paranoid-parent prospect that this bad brain of mine has gone worse, has macgyvered that curled metal wire of my retainer into some janky weapon of self-destruction as Mom and Greg stand outside the bathroom door, deliberating whether or not to pick the lock and risk barging in to find their son naked and depraved, or otherwise dead. . .

But I haven’t jerked off in months. When I turn the shower off, water droplets bead along my hairless body like I’m made entirely of wax. I skirt a towel around my waist and move to the guestroom, where the evidence of my last intimate one-on-one affair, way back in December, still exists as an inscrutable stain atop the wood finish of the guest dresser, its origins dating back to Christmas morning when my brain aroused me awake in the dead of holy night and refused to fall back asleep, prompting me to eventually get out of bed and stand barefoot among cardboard boxes and Scotch tape and rolls of gift wrap illuminated in moonlight to jerk off before this dresser onto a Kohl’s receipt for a crockpot that Mom would later have to return for store credit, only to wake up hours later to find the receipt paper and my jizz then fused to the dresser’s wood, picking off with my nails as much as I could, my fingers stinking of sour, rotting progeny all throughout unwrapping presents. And even now, however many months later, this receipt is still visible. Preserved like a fossil beneath a yellow, hardened tar pit of cum, it exhibits a barcode that you might scan to learn the price to pay for having a bad brain you’ll most likely pass onto your future children, and the price scanner reads:

NOT FUCKING WORTH IT.


LIFE OF THE PITY PARTY


Find me in real life
at a coffee shop
bald and still kind of drunk from day drinking and
on the utter verge of
crying in public
crying like a
babyboy fucktard
but not because I’ve just dumped a
Styrofoam bucket of
scalding hot coffee right onto my balls
down on my knees
shrouding the floor in paper napkins
volunteering myself to mop it all up because
it’s my life that’s a mess
not yours, pretty barista,
who I’ve just tipped
over thirty percent for
handing me a coffee cup that’s rim
must’ve been designed to
fit one and
only one plastic lid in
this whole God forsaken place
which is just riddled with awkward talks
divided by
even more awkward pauses between two
obviously mismatched souls whose
only common denominator is
feeling lonely and hormonal enough to
still meet up for their
Tinder date to
see whether this incompatibility of
theirs might just be
overcome with enough drinks to
push and force and fuse their bodies together like
two wet puzzle pieces
in hopes that they might lock onto one another and
never let go—
but they do let go
because it’s how we’ve been designed:
loose tops on hot fluid-filled bottoms and
these days I’m losing my mind like I’m
losing my house keys and
losing my hair on
purpose on
pure impulse on
Valentine’s day
when I shaved my body down
in one symmetrical line
in order to
prove to
myself that I still held some means of
self-control
only to
recognize in the mirror immediately after that
I’d actually just lost it all.



Find me in real life
still at a coffee shop
less drunk but still totally bald and seriously on
the absolute verge of
crying but
not because I’m secretly listening to
Lana Del Rey
who likewise
definitely has some major daddy issues and
no
not because Mom is
getting remarried in June to a
quiet, compliant, well-designed store mannequin named Greg and
I’m so sorry, Mom, but I’m gonna have to
skip out on us
meeting up for lunch this afternoon because I
can no longer stand to
discuss the wedding with you over and
over and
over again
over
potato chips and Diet Coke and Publix subs
even though I know you’ll still go
alone and
you’ll still stand in line so
overcome by
what to order by
what to get
you’ll start touching at
your stomach every few seconds
wondering how another inch of
sandwich
just one additional pickle
might just fill you up to
see yourself become something hideous in
your wedding dress
wondering what it’s even worth to be
in love
with a man who must be
so mentally defective, diluted, idiotic, insane
as to
find even the slightest hint of
beauty in
this decrepit fleshy temple you’ve inhabited for
so long that
your skin now sits on
you like thirty-five billion cells of a
prison
wondering if you might just call the
whole thing off or
otherwise tear
your  w h o l e   f  u  c  k  i  n  g    b  o  d  y     a   p   a   r   t         .



Find me in real life
at a coffee shop
still bald and still ugly but now profusely sweating in
the men’s bathroom and
just milliseconds away from hysterically crying at
this urinal where I am
hiding from this nineteen-year-old girl who
has just walked through the front door who
I don’t actually know at all but
have still somehow
fallen
madly in love with or
something but at
least still have enough residual
self-control to
                                                                            stay the fuck away from her
unlike one of the other regulars here
the guy with the Red Stripe who
is reciting god-awful poetry out loud at
the stall next to me and who
is a registered sex offender
but still somehow gets away with
behaving like a
total dickhole despite
everybody here already seeming to know about his
having sex with
children
given that he has a tattoo of
the “Child Love Online Media Activism” logo of
big hearts scissoring
little hearts branded like a nape of
pride right onto his
so fucking chokeable neck and
yet nobody says a thing
because it’s how we’ve been designed:
tight-lipped until
the most inopportune moment to
spill out our guts all over
the floor and
oh God I am crying I am
crying I am crying
right here in
the bathroom at a coffee shop I am
crying I am
crying I am
crying like how I’m going to
cry when Mom tells me she’s too fat before the wedding
crying like how I’m going to
cry when Hillary Clinton wins the democratic nomination
crying like how I’m going to
cry when I
inevitably
impulsively
shave my head again
crying like how that four-year-old child must’ve
cried when she was sexually offended over and
over and
over again and
maybe never stopped
crying since
crying like the exact opposite of
all I held in
when I first heard that Dad was dead and
now the pedophile’s hand is on my shoulder and
he’s asking me if I’m okay and
I bet I get
really drunk before reading this poem and
I bet I sweat
really bad while reading this poem just as
much as
I am sweating now while writing this poem and
and
and
I am crying in public, you guys, God damnit,
I feel so stupidly human sometimes
I can’t stand it—
how inherently flawed I’ve been designed.

Stephen Wack is a recent college graduate from the University of Georgia. He recently self-published his first chapbook "scalpy," an auto-biographical collection of prose and poetry detailing his six-month trial and error(s) of withdrawal from cold-turkey quitting one's anti-depressant medication.  The majority of his free time is happily absorbed in reading, writing, and slumming it around town with his dog, Ernie.

Friday, July 1, 2016

Mark Antony Rossi of Hostile Disciples, Barren Hometowns, Blood Moons, and Ballgames in Heaven

11th & Hudson

My hometown
Is a page
In the hall
Of history books
It is a room
Reserved
For my hungry
Heart
No tale
I tell
Will bring it
Back again
Amen.


Soul Custodian

If I could
Offer
God humility
I would be
The greatest disciple
But all I have
Is hostility
For a world
Where I must fight
For the most
Basic fairness
I'm not heaven's
Soldier
Nor am I friend
Of hell
Neither is the place
For men
Who make their own way.

Best Intentions

I can't high five
animal lovers
Whom step across
hungry homeless men
To rescue a pit bull

Often animal lovers
Are disappointed
In people
And I appreciate that
But I wish I was worth more

Than a pampered cat.

Gang Way Style

It's hard to live in a world
That doesn't want you
you stay strong
to piss them off
But their anger
is not your joy
And your survival
Is not a victory
You can't belong
Unless you're wanted
Dead or alive.

Night Run

Blood moon

Blinds my eyes
Breaks my thighs
On a low rent
Golf course

Blood oath

Take my Bible
Take my stables
Take the reins

So I can make
The night run
Without another

Blood fever

Boiling the bad
So I can take
The night run

Like a secret lover.

Outside Matthews

Old man Harold
Never wore a coat
And sat on a bus bench
Outside Matthews
Listening to a transistor radio

The ballgame blared
And he knew every player
But pneumonia hit faster
And he was gone
A chosen fan sent

To the bigger game above.


Mark Antony Rossi's poetry, criticism, fiction and photography have appeared in The Antigonish Review, Another Chicago Review, Bareback Magazine, Black Heart Review, Collages & Bricolages,  Enclave, Expound, GloMag, Gravel, Flash Fiction, Japanophile, On The Rusk, Purple Patch, Scrivener Creative Review, Sentiment Literary Journal, The Sacrificial ,Wild Quarterly and Yellow Chair Review.

 http://markantonyrossi.jigsy.com

Thursday, June 30, 2016

Donal Mahoney Chronicles Drifters, Skid Row, the Gendarmes, and Body Bags

Special of the Day

It’s Rocky’s Diner
but it’s Brenda’s counter,
been that way for 10 years.
Brenda has her regulars
who want the Special of the Day.
They know the week is over

when it’s perch on Friday.
Her drifters don’t care about
the Special of the Day.
They want Brenda instead
but she’s made it clear
she’s not available.

Her regular customers tip well.
Long ago, they gave up
trying to see her after work.
After awhile her drifters go 
to the diner down the street
to see if the waitress there

is any more hospitable.
Brenda’s regulars don’t know
she has three kids her mother
watched every day until Brenda
took a vacation out of town,
then came back and helped her

mother find a place of her own.
Now Brenda’s back at the diner,
serving her regulars and
discouraging her drifters,
while Marsha, her bride,
watches the kids.


Just for a Day

If you want to know
what it’s like to have nothing
just for a day

head for Skid Row.
Trade your suit and 20 bucks
for the attire of a resident

standing against a wall.
Buy a tin cup and yellow pencils
and go to Union Station in time

for the evening rush hour
when suburbanites with jobs
on Michigan Avenue go home

for dinner and a little HBO.
Flop down near the entrance
in your tatters with pencils and cup.

Wear Charles Bronson sunglasses
and hold high a sign that says,
“Will Work for Food.”

Count the briefcases that sail by
and see how many pencils you sell,
how many people even look at you

before the gendarmes arrive
and poke you with a baton
then walk you away. 


Body Bag


I'm on my way to Larry’s Place,
a food pantry in the city.
I park a block away because

parking in front of Larry’s
isn’t wise even if one drives
a clunker. My old Buick

almost qualifies as that.
It’s getting up in years
but still able to get around.

I’m wobbling in the middle of
two shopping bags of food
my wife found in our pantry.

Someone at Larry’s Place can
take it home and have a meal.
If they have a home. Not all do.

Certainly not the fellow sleeping
on the bench outside Larry’s
in a black body bag, the zipper

slightly ajar so he can breathe.
Lots of people go in and out
but no one bothers him.

I go in, drop off my bags and
exchange pleasantries with Larry.
He says business is too good.

He says the guy in the body bag
is a new arrival from out of town,
suggests I have a chat with him.

His story is remarkable, Larry says.
On the way out I see the fellow
in the body bag is sitting up.

I give him five bucks
and he asks if I want to hear
the story about his body bag.

I say I’d like to but I’m rushed,
that I’ll be back tomorrow with
my notebook and camera and

I’ll pay him. After all, everyone
has to make a living. Or find
their food at Larry’s Place.


Donal Mahoney, a native of Chicago, lives in St. Louis, Missouri. His fiction and poetry have appeared in various publications, including The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Christian Science Monitor, The Chicago Tribune and  Commonweal.  Some of his work can be found at http://eyeonlifemag.com/the-poetry-locksmith/donal-mahoney-poet.html#sthash.OSYzpgmQ.dpbs=

Tuesday, June 21, 2016

Jim Brennan Watches the Whiptails, Nightrcrawlers, Monarchs, and Firecrackers in Watermelons Upon Brawn and Fine White Sand

Thirteen Easy-to-follow Steps

Beneath three feet of snow outside the bedroom window
lies dirt.
Three inches below dirt live six-inch night crawlers
my grandson likes to pull and bite. They burst
like a firecracker stuffed inside a watermelon
grown in the dirt night crawlers enrich
burrowing their long, juicy bodies into the soil
the way Steinbeck’s laborers tilled the fields of Salinas.

Replace the sparkplug each year
diligently, like mid-April tax filings.
Fresh gas is imperative
condensation-free like the oratory of Churchill.
Clean oil is translucent
on a machined stainless steel shaft.
Pump seven times to prime the carburetor.
Only nine easy steps remain.

I prefer a shovel
powered by sweat and grunt and brawn
and that good soreness in the evening
when I ease into bed nearly too tired to make love
with my warm lover who sautés vegetables
in just the right amount of olive oil
they slide across the pan like night crawlers
and repeat again and again.

The Water Diviner

A water diviner deems
the witching rod a hoax.
Faith leads to the well.

You veer from the weary path
trodden by tired men who worship convention
muddied by interpretation, bloodied by sermons.

You sidestep rattlers on the rock-strewn ridge
snapping at leather ankles, unleashing venom.
You blaze ahead undeterred.

Even when the earth cracks
open and swallows the timid
who cling to convention

you follow your soul,
the fire that fuels
a mountain spring.

How To Write The Last Line Of A Poem

There’s a cold-water spring
on an unmarked trail in Big Sur
its healing waters hidden

by thicket under a canopy of Torrey Pines
two hundred feet above iron surf
washing fine white sand into the sea.

Nobody has ever sipped
the spring’s hallowed waters
except whiptail and monarch,

neither of which are able to sketch maps
or scribble directions with their tiny digits
and even if they could it’s unlikely

they ever learned proper penmanship
or the dreary rules of formal grammar,
which, of course, is inconsequential to the poet.


I was a street corner vendor, carwash grunt, and labored on warehouse loading docks before I turned eighteen and went to work on the Philadelphia waterfront. Decades later this blue-collar heritage filters into my work as author, poet and Cityscape editor for the Schuylkill Valley Journal. I read poetry in and around Philadelphia, and my work has appeared in Everyday Fiction, Fringe, Salon.com, The Moonstone Anthology and other print and online media outlets. My stories have been finalist in competitions at Fish Publishing in County Cork, Ireland, Allegory Magazine, and The Summer Literary Series at Concordia University. I am the author of the memoir Twenty-four Years to Boston. I blog at Poetry In Motion and my website is www.jimbrennansr.com

Wednesday, May 18, 2016

Holly Day Explains A Mummy's Confession, Belgian Monasteries, Rampant Bulbs, and The Frigid Coast of the Simulacrum

The Mummy, 20 Years Between Visits

this bundle of dried skin, matchstick bones
hands folded over one another in
frozen yet thoughtful contemplation
caused me such nightmares
impossible, this

tiny brown thing, half-seen through
the crumpled, painted lid, teeth not
bared in an angry grimace as I
imagined as a child but in
a peaceful, purposeful smile
as if to say

I am dead, I really am
I’m dead.



The Monks in My Head

my garden makes me think of God, of
the Alsatian monks toiling endless to create
climbing, bright-faced clematis that would spread
all over a wall, taking tiny yellow down-turned flowers on thin
upright stalks and unleashing something holy, wholly
new twining plants with palm-sized flowers in shades
of blue and white and pink and purple.

my beer makes me think of God, of how
hours of studying and painstaking labor
in the basements of Belgian monasteries helped improve
guttural meads flavored with clover and honey
how those monks must have thought they’d bottled something holy
when they tasted their own creations, kept them secret and hidden
from the hungry flat-ale-swilling masses outside.



Stunted, Thwarted

The tulips I grow in pots
never do as well as the ones
spreading rampant in my backyard
bulbs swollen big as fists
sprays of flowers bursting like fireworks
from a single hidden point. Every time I try

to recreate the flamboyant show of color from out there
in here, I end up with
shrunken, mold-speckled bulbs bearing
withered, yellow-green stalks
twisted striped buds that
open sickly as sea anemones
in polluted tidepools
on some frigid coast.


Holly Day has taught writing classes at the Loft Literary Center in Minnesota, since 2000. Her published books include Music Theory for Dummies, Music Composition for Dummies, Guitar All-in-One for Dummies, Piano All-in-One for Dummies, Walking Twin Cities, Insider’s Guide to the Twin Cities, Nordeast Minneapolis: A History, and The Book Of, while her poetry has recently appeared in Oyez Review, SLAB, and Gargoyle. Her newest poetry book, Ugly Girl, just came out from Shoe Music Press.


M. A. Schaffner Navigates Peripherally Through Ambient Pornography of Snowbound Bookshelves and Spilling Honeysuckle

Miracle Machine

They could be with you or the someone else
on the object they hold as they walk along
next to you, so you go online to check
having learned to navigate peripherally
even in spring as blossoms compete with the sky
in color saturation and bees pop up
advertising scent and pollen, your eyes
flickering like a defective screen, teared
and itching from ambient pornography,
the sweet hectoring of horny warblers
and lusty cardinals and jays, just as
you walk down the street side by side checking
images from elsewhere and tweets from beyond
the slightly less intrusive world around you
and when you put the device back and look,
the two of you, at each other and around
the trees newly leafed seem improbable.


Zefiro Torna

The demanding season, promoting sprawl,
while burdens of culling the spoil from last fall's
forgotten herbage make an urgent call

on hours best suited for observing all
the feathered migrants who this time of year
conjure a spell when they simply appear.

Blistered from spade and fork, crusty with sweat,
rasped by clouds of pollen, wearied, and yet
amazed by blossoms and the rakish set

of a warbler's beak as it sifts the leaves
newly sprouted to weave infinities
of caverns and shifting balconies.

It had all seemed dead, or nearly so, just
a week ago, as I came to the fire
to read from bookshelves snowbound in dust.



Buy Now

Not little things but little short of all
we hope for when we think of it or feel
what life could be beyond the money spent

in hopes of comfort or validation
from the images in a catalog
or the music and voices from the screen

where everyone seems delighted with the car
or counter tops and carpets, where worlds
distill to number sequences on cards

and all the friends who "like" your purchases.
It's the other little things that disagree,
from the honeysuckle spilling over

the chain link fence that fastens every yard
to the next in a chain of property
that couldn't hold a hummingbird at rest.


M. A. Schaffner has had poems published in Shenandoah, Prairie Schooner, Agni, and elsewhere -- most recently in Hermes, Modern Poetry Review, and Pennsylvania Review. Long-ago-published books include the poetry collection The Good Opinion of Squirrels and the novel War Boys. Schaffner spends most days in Arlington, Virginia juggling a Toshiba laptop and a Gillott 404.

Tuesday, April 12, 2016

Ricky Garni Is Blonde With His Liar of a Grandmother Building Caskets in the Laughing Cosmos

BLONDE

The first man on earth must have been a blonde.
Working outside all day long will do that to your hair.
And there was no inside then. My grandmother, who
worked on a farm, was also blonde until the day she died.
And until that day, she worked hard with the cattle and
the horses and had sinewy muscles of steel. At night she
would drink barley wine and dye her hair grey. She wasn’t
my real grandmother. Yet her hair was as beautiful as her
muscles and my lies.


CASKETS

I build little caskets for everything. Birds I see in the sky, donuts I find in the trash bins, people I barely remember. I even build little caskets for caskets. And caskets for their little caskets.



THE VERY OLD TV SHOWS

Sometimes only a few people would applaud. Sometimes only
one person will laugh. You don’t know who they are because
you never see them. There is always a chance that you know
their grandchildren. Or that you once saw one of them on
a bus and thought, “My, how old she is!” Her laugh sounds
the same on a bus as it did on TV. It seems like she can
laugh anywhere. She is laughing on the bus. She was perhaps
laughing this morning as she walked towards the bus.
Perhaps one day she will laugh in outer space, watching
an old TV show that no one else laughs at. Smoking a cigar
like crazy old laughing people often do in the cosmos.



Ricky Garni was born and raised in Miami and Maine. He works as a graphic designer by day, and writes music by night. His work is widely available in print, on the Web and in a number of anthologies, and has been nominated for the Pushcart Prize on six occasions.